In Never Logged Out, Ria Chopra presents astute observations on growing up online, Gen Z, and the Indian internet, approaching these subjects with a writer’s restraint rather than a theorist’s grandiosity. By Sneha Bengani

In Quichotte (2019) Salman Rushdie deconstructs the motif of the quest while creating a darkly humorous, grotesque, and irreverent anti-heroic saga of a modern day mock medieval knight. By Paromita Patrabonish

From its origins in the 1882 novel Anandmath, the attention of European Orientalists, and the impact on early Hindu nationalist movements, Abhimanyu Kumar traces the complicated legacy of India’s national song.

In a wide-ranging interview, Salini Vineeth speaks about profound questions of identity in her work, switching to literature after an engineering background, writing in multiple languages, and more. By Mitra Samal

In Lavanya Lakshminaryan’s The Ten Percent Thief, a dystopic Indian future serves as the setting to explore existential dilemmas of human creativity in the face of an authoritarian technocracy. By Karan Madhok

Farah Ahamed examines the complexities of motherhood and desire in Saadat Hasan Manto’s “Mummy,” Mahesh Manjrekar’s Astitva, and Deepa Mehta’s Water.

“Poetry is the diary I always carry with me.” Gopal Lahiri’s collection Selected Poems (2025) cultivates a privacy that invites readers to the poet’s second self in consciousness. By Dustin Pickering

The Pakistani author Faiqa Mansab of The Sufi Storyteller speaks about women’s lives as messy, constrained, and politically situated, of motherhood as both power and erasure, about abandonment as a recurring human condition, and more. By Namrata

In her translation of Gujarati literary giant K.M Munshi’s “Ek Patra,” Rita Kothari uses language to reveal not just the story, but the hidden realities of the lives inhabited by the characters. By Rohee Dholakia

In The Amateur (2024), Saikat Majumdar explores education, humanity, and inclusivity from different perspectives to highlight the major flaws of colonial education. The book asks for intensive correction in institutions and in the people’s psyche. By Kabir Deb

Without clear regulatory mechanism against AI data mining, Indian publishers have begun adapting voluntary frameworks. Madhuri Kankipati argues for the urgent need for the AI governance guidelines to set legislation and protect creative workers in a multilingual, digitally expanding nation.

In the art of filmmaker Deepa Mehta and writer Ismat Chughtai, Farah Ahamed explores themes of patriarchy, infidelity, and a testament to the desires of women.

Sanjana Ramachandran’s debut Famous Last Questions investigates the clash of the personal with the sociopolitical. The author speaks about masking and unmasking herself, finding comfort in contradictions, and the flawed institutions of marriage, relationships, and work. By Karan Madhok

Personal Essay: Who has access to knowledge? Ph.D. scholar Swathi Priya explores how multidisciplinary lenses of caste inclusion, neoliberal market, liberal ideology, mental health imperatives, and literature inform her larger research goals.

Through memories, juxtapositions, and observations of the intricate, the poems about Guwahati in The Penguin Book of Poems on the Indian City (2025) portray a city that no longer exists, having metamorphosed into a new ‘synthetic’ space marred by politics and reckless urbanisation. By Ayaan Halder

Acclaimed author Meena Kandasamy discusses the uncompromising and unapologetic resolve in her writing, confronting violence with art, and why activism is a form of love. By Saurabh Sharma

Through her memoir, Arundhati Roy revisits the foundry where her courage was forged, to the mother who didn’t prepare her for success, but inadvertently trained her to withstand both adoration and hatred to determine her survival. By Amritesh Mukherjee

Written with understated, sublime beauty, Sarvesh Wahie’s Mussoorie Daze (2025) is a literary and philosophical text that examines the ontology of a lost Himalayan paradise, and the changing character of memory, self, solitude, and community. By Abhimanyu Kumar

In a detailed conversation, poet Madhu Raghavendra speaks about his literary journey, finding space for politics in his poetics, the inspiration of art and bhakti in his work, and more. By Chittajit Mitra

Mehak Jamal’s Loal Kashmir (2025) is a witness, a tender archive of what it means to love in a region of conflict—how intimacy reshapes itself around checkpoints, how longing endures without signal bars, how the heart insists on ordinary joys in extraordinary times. By Shivani Patel

In Night in Delhi (2025), Ranbir Sidhu lays bare the city of shadowlands, and of lives pushed to the margins of visibility and worth, as it exists in continuum alongside the bright and aestheticized metropolis. By Anjali Chauhan

The picture book Roop and the River Crossing (2025)—written by Samina Mishra and illustrated by Shivam Choudhary—gently nudges its readers to reflect upon the ideas of home, belongingness, displacement, and what it means to be uprooted as one steps into the unknown. By Navtoj Khosla

Amrita Pritam, Saadat Hasan Manto, and Kamala Das were all writers who, even in life, lived on the edge of taboo, scandal, and self-revelation. In death, stripped of agency, their voices have been reframed by the very people who claim to honour them. By Treya Sinha

Meena Kandasamy’s collection Tomorrow Someone Will Arrest You is poetry as resistance literature, where aesthetic beauty and political activism merge to challenge a nation’s conscience. By Amritesh Mukherjee

Neha Dixit, the author of The Many Lives of Syeda X, speaks about the story of an ‘invisible’ India through the tale of one working-class woman, her approaches to journalism, and the “collective failure” of Indian society. By Saurabh Sharma

‘However, the happiness was short lived. Soon there was a knock on the door and all hope of love was lost for them. Ayush’s family had informed the police that their son had gone missing for a few hours, and they suspected he had been kidnapped by militants.’ By Arshi Javaid

Despite a lack of narrative focus, Anisha Lalvani’s Girls Who Stray (2025) is a welcome, urgent entry to contemporary Indian literature, a poetic voice echoing the angsts of a generation of Indians, and specifically, of Indian women who refuse to be assigned to their roles. By Karan Madhok

Told through the perspective of twisted innocence, Sakyajit Bhattacharya’s The One Legged looms large with uncertainties, unopened doors, haunted pasts, and an atmosphere of pure terror. By Sneha Pathak

In his multigenerational saga A Person is a Prayer (2024) Ammar Kalia weaves together several characters, each struggling, yearning, and often failing to find clarity in the shadows of their predecessors. As with many internal struggles, they persist in silence. By Shivani Patel

The Great Nicobar Betrayal (2024) is essential reading for anyone concerned about India’s ecological future and the future of our species on Earth. Tansy Troy discusses the collection with an inspired set of illustrations of the island’s many breathtaking species.