Literature
Marnina (Avirup) spoke to representatives from Queer organizations at the 2024 Kolkata Book Fair about the experience of hosting their stalls, seeking diversity in Indian publishing, and much more.
In The Grammar of My Body, Abhishek Anicca shared his journey of discovering his disability and chronic illness. In an interview, Anicca spoke about disability in the face of capitalism, politics, and literature in an ableist society. By Akankshya Abismruta
How a slow but steady collective drive is finally instrumentalizing a change in the Indian publishing landscape, giving rise to queer, Dalit, disabled, Adivasi, and other marginalized voices on the bookshelves. By Saurabh Sharma
Vivek Shanbag’s novel Sakina’s Kiss (2013) features a protagonist obsessed with possession, uncomfortable in the evolving role of his masculinity, searching for meaning in a life where every answer presents a series of more confounding questions. By Karan Madhok
At the core of Ranjit Hoskote’s latest poetry collection Icelight is a restlessness, a searching presented as a series of inward questions which never quite find their resolve; they keep going until the question itself becomes the endgame. By Vinita Agrawal
Tejaswini Apte-Rahm’s The Secret of More (2022) tells a provocative tale of urbanization in early 20th-century Bombay. By Akankshya Abismruta
Linda Ashok’s Sharpless 29 is a collection that marries precise scientific theories to metaphors of both mundane and extraordinary human questions, all interspersed with witty and rich poetic ornaments. By Nivedita Dey
In Hope for Sanity, a collection of columns filled with nuggets of wisdom, empathy, and advice, decorated former policeman Julio Riberio emerges as a “conscience keeper” for our nation. By Karan Madhok
Arundhati Roy’s storytelling illuminates the desires to split open the human grids that characterize our world, and fulfil her yearning for a particular kind of homeland: a gentler, stiller, less hypocritical, and less transactional place. By Saba Karim Khan
In Radio for the Millions: Hindi-Urdu Broadcasting Across Borders, Isabel Huacuja Alonso demonstrates how radio created transnational communities of listeners and broadcasters, who defied colonial and postcolonial governments’ stranglehold over the medium and maneuvered it for their own purposes. By Sohel Sarkar
Sakshi Nadkarni on Amitabha Bagchi’s Half the Night is Gone (2018), a tale of stories withing stories, both dense and sparse, a glimpse across many Delhis, a meditation on sorrow, fatherhood, self-reflection, and literature itself.
Madhu Raghavendra’s poetry confronts issues of contemporary Indian politics and culture, verses that hold a mirror to our faces to witness our responses to our reflections. By Satarupa Bhattacharya
In her latest work, Aruna Chakravarti revisits the early 20th century ‘mejo kumar’ story, now allowing all its characters—particularly its females—to speak in their own voices. By Saurabh Sharma
In his latest work, Salman Rushdie expertly flirts with the line between fact and fiction, declaring all living beings—including those reading his book—may be ‘characters’ in a grander historical fiction. When nothing is real, stories are the only reality. By Karan Madhok
Jerry Pinto’s The Education of Yuri (2022) is an atmospherically saturated, layered accordion, sounding an adventure in scale that simultaneously encompasses the chronicle of a young boy’s coming of age, and a time capsule of Bombay of a bygone era. By Paromita Patranobish
Two recent travel books by Indian women—Taran N. Khan’s Shadow City and Pallavi Aiyar’s Orienting—bring a unique, gendered perspective to the social and cultural complexities of expat life in Afghanistan and Japan. By Nileena Sunil
Shooting to fame after the critical success of Geetanjali Shree’s Tomb of Sand, Daisy Rockwell speaks about the iconic Indian authors she has translated, Partition-themed narratives, and interpreting language from a visual eye. By Saurabh Sharma
Aniruddha Mahale—author of Get Out: The Gay Man’s Guide to Coming Out and Going Out—discusses his crush on Rahul Khanna, lying to his dates, sending nudes, and the socio-economic aspects of gay dating in India. By Chintan Girish Modi
Whimsical and wise, reflective and poignant, Nivedita Dey poems are a contrast to the gloomy poetry of our age, even while delving into the darkest recesses. She passionately declares space for poetry’s possibilities and promises. By Dustin Pickering
In a series of poignant poems from Anima: & the Narrative Limits, Nabina Das personifies the feminine energy of ‘Anima’—as she tells stories, observes the social fabric of humanity, poses questions to history, and explains the world through her perspective. By Karan Madhok
Set around the 1919 Jallianwala Bagh massacre, Navtej Sarna’s Crimson Spring is a tragic retelling that details individual lives shattered by this dark chapter in history. By Shreemayee Das
In Vauhini Vara’s debut novel, the story of the eponymous King Rao is part of larger questions of human creativity and meaning in a transhumanist world, where life is data-fied, and sentience, thought, emotion and ethics are mere products of automated and arbitrary calculations. By Paromita Patranobish
Contemporary OTT narratives like Panchayat and Nirmal Pathak Ki Ghar Wapsi are revisiting the rural through the lens of an urban outsider, in an evocation of Sri Lal Shukla’s acclaimed 1968 novel Raag Darbari. By Ananya
Seventy-five years after the subcontinent was lacerated and partitioned, the anthology The Other in The Mirror attempts to bind the fractured reflections of Indians and Pakistanis, using the balm of literature. By Karan Madhok
Spun with compassion and realism, the stories from Varanasi in Vivek Nath Mishra’s collection No One An Outsider ask contrasting questions of belonging, compassion, self-destructiveness, and death. By Dustin Pickering
1946 Royal Indian Navy Mutiny: Last War of Independence adds yet another dimension to the existing accounts on the struggle for Independence. But how does our remembrance of history truly carry over to the present? By Priyanka Chakrabarty
Edited by Farah Ahamed, essays and stories in the anthology Period Matters confront directly with the issues of pain, health care, dignity, and social taboos around menstruation in South Asia. By Shreemayee Das
Kashiana Singh’s poetry collection Woman by the Door is an exquisite intersection of the blossoming, enduring strength of women, the struggle of rebirth, and the existence with death and loss… through which Singh points us to a sure and certain hope: within ourselves. By Melissa A. Chappell
As long the coal remains a major player in the neo-liberal globalized world, the metaphorical and literal fires from Ilyas Ahmed Gaddi’s 1994 novel will keep burning. By Sudeshna Rana
In Abhishek Anicca’s memoir The Grammar of my Body (2023), the protagonist is a disabled body, charting its terrain through the unforgiving, able-bodied world. By Priyanka Chakrabarty