In a detailed conversation, poet Madhu Raghavendra speaks about his literary journey, finding space for politics in his poetics, the inspiration of art and bhakti in his work, and more. By Chittajit Mitra

Mehak Jamal’s Loal Kashmir (2025) is a witness, a tender archive of what it means to love in a region of conflict—how intimacy reshapes itself around checkpoints, how longing endures without signal bars, how the heart insists on ordinary joys in extraordinary times. By Shivani Patel

In Night in Delhi (2025), Ranbir Sidhu lays bare the city of shadowlands, and of lives pushed to the margins of visibility and worth, as it exists in continuum alongside the bright and aestheticized metropolis. By Anjali Chauhan

Amrita Pritam, Saadat Hasan Manto, and Kamala Das were all writers who, even in life, lived on the edge of taboo, scandal, and self-revelation. In death, stripped of agency, their voices have been reframed by the very people who claim to honour them. By Treya Sinha

Amrita Pritam, Saadat Hasan Manto, and Kamala Das were all writers who, even in life, lived on the edge of taboo, scandal, and self-revelation. In death, stripped of agency, their voices have been reframed by the very people who claim to honour them. By Treya Sinha

Meena Kandasamy’s collection Tomorrow Someone Will Arrest You is poetry as resistance literature, where aesthetic beauty and political activism merge to challenge a nation’s conscience. By Amritesh Mukherjee

Neha Dixit, the author of The Many Lives of Syeda X, speaks about the story of an ‘invisible’ India through the tale of one working-class woman, her approaches to journalism, and the “collective failure” of Indian society. By Saurabh Sharma

‘However, the happiness was short lived. Soon there was a knock on the door and all hope of love was lost for them. Ayush’s family had informed the police that their son had gone missing for a few hours, and they suspected he had been kidnapped by militants.’ By Arshi Javaid

Despite a lack of narrative focus, Anisha Lalvani’s Girls Who Stray (2025) is a welcome, urgent entry to contemporary Indian literature, a poetic voice echoing the angsts of a generation of Indians, and specifically, of Indian women who refuse to be assigned to their roles. By Karan Madhok

Told through the perspective of twisted innocence, Sakyajit Bhattacharya’s The One Legged looms large with uncertainties, unopened doors, haunted pasts, and an atmosphere of pure terror. By Sneha Pathak

In his multigenerational saga A Person is a Prayer (2024) Ammar Kalia weaves together several characters, each struggling, yearning, and often failing to find clarity in the shadows of their predecessors. As with many internal struggles, they persist in silence. By Shivani Patel

The Great Nicobar Betrayal (2024) is essential reading for anyone concerned about India’s ecological future and the future of our species on Earth. Tansy Troy discusses the collection with an inspired set of illustrations of the island’s many breathtaking species.