The Gravedigger’s Soliloquy
Poem by Anju Devadas R D: ‘someone once said / the soul is lighter than breath / but the soil keeps secrets / the sky cannot hold.’
Guts
Personal Essay by Prachi Sharma: ‘My father pauses in every retelling of this tale. He wants me to see it. A man in the uniform of an Indian working for the English, in a village courtyard in the late 1920s, his face turning to one side from the force of an open palm. The villagers watching. The Daroga’s hand going to his cheek. A pigeon somewhere on the roof, taking off.’
To My Translator
Poetry by Saoirse: ‘let us build a night on the marble edifice / of silence. Spread freshly laundered sheets / over the freckled sky and light / the twin candles of our bodies.’
We Imagine Angels: Two Poems by John Copley Alter
Poetry by John Copley Alter: ‘In the proximity / of other gods—other sutras— / we muttered our creed—you // pecking / away at your manual typewriter— / carbon copies of personal letters / home—to the diaspora—we // noodling on the keyboard of happiness’
Last Night’s Silence – Five Poems by Aardhra Chandran
Poems by Aardhra Chandran: ‘Concrete trucks rumble past his fence, shaking the loose teeth / in his jaw, spitting black diesel smoke onto his holy basil plant. // He measures his life not in years, but in missing trees—/The neem chopped for wood, the mango that died of thirst.’
Sanctuary: Abstractions in Prose
Creative Nonfiction by Shobhita Rewal: ‘Rotund Japanese purple enlarged. A plushie abandoned. Soot-stained lips float past. Saliva upon the metal in the skin. Chivalry ain’t dead yet, innit? Plebians need the masala but give this to me anyway.’
First Snow
Short story by Karan Madhok: “Now, Lady, Miss: Please take the flowers and lean into your husband, like this, as if you are falling into him. Just a little. That’s why in English they say, ‘falling’ in love, no? Bas, gir jao unpar!”
Death and the Afternoon Siesta
Short story by Vishnu Bagdawala: ‘Sometimes, I would lie in bed waiting for the tears to come. Sometimes, I would wonder how it was strange that we needed to sleep in order to be awake for the rest of our lives. Until the day when, like my grandfather, we fall into an eternal sleep.’
We Belong to the New World
Short story by Debi Mukherjee: “Unlike the little girls I see outside temples, draped in their pano bhaju’s stringing garlands of Marigolds, I dare not play with the flowers in our garden. Papa cautions me against the rows of Mogras, Shoe-flowers, Frangipanis and a multitude of others. He says that I must not be lured by a flower’s fragrance.”
‘Flesh of the Fruit’ – Four poems by Priyanka Aravind P.
Poetry by Priyanka Aravind P.: ‘I too had a mother, / Who fed me with knowledge so ancient, / And called me her brightest star, // until I misspelt a note from the sacred chants.’
“Until the Last Light” – Three Poems by Sindhuri Rao
Poetry by Sindhuri Rao: ‘Keep everything you bought here— / your eager dreams, / hanging garments, / obedient smiles, / unpressed rages, too. / “Be our guest.”’
Between two monsoons
Poetry by Suhana Bhattacharya: ‘i measure distance / not in miles / but in the way my mother says “beta” / over a lagging call / where her voice arrives before her breath’
The problematic representation of women in many recent Telugu blockbusters like Peddi and the Pushpa films have stoked controversy. When mainstream commercial cinema consistently turns the sexualisation of women into entertainment, who should be responsible for the world these images help create? By Sumithra Prasanna