Poetry by Suhana Bhattacharya: ‘i measure distance / not in miles / but in the way my mother says “beta” / over a lagging call / where her voice arrives before her breath’

Short story by Ayaan Halder: ‘I could feed my children chicken and rice for a week, without having to shout at them for not wanting the fried bhendi they’ve been eating for the last three days. I could cover half a month’s rent with that money, for god’s sake! And you spend it on a wretched T-shirt that doesn’t even bear the colour of the sky?’

Short story by Khadija Rehman: “Some flowers bloom even when they shouldn’t. This one grows in cracks, drains, broken walls. Shameless little thing. You can forget about it, and it’ll still be there tomorrow.”

Personal Essay by Jahnavi Gogoi: ‘It was obvious that the word “Militant” was not etched on anyone’s face. My mother kept saying it, late into the night, as if to convince herself that Lohit now had blood on his hands.’

Poetry by Siddh Dutta: ‘Her hours went into my becoming, / cruel it feels now / to realize how freedom can vanish without chains. / How may one choose a cage / and call it duty?’

Short story by Madhurjya Goswami:‘It was only after the state police’s operations were over, after the troops with sniffer dogs scoured every nook of the city, after the NDRF’s neon orange jetties sliced across the grey Brahmaputra, that the body of singer Niren Rajkhowa washed up on the banks of the river in a quiet and leafier corner of Kharguli.’

Short story by Harjot Banga: ‘How dirty were the hands that designed those temples? Hands that counted the opium profits in the warehouses of Calcutta, honeyed and lethal with dust? Hands that fixed the cables that drained Burmese rice while the Hooghly teemed with corpses.’

Poetry by Neera Kashyap: ‘The light sputtered back; her frame froze. / A crow sliced over her head, cawing noisily, / flapping free of the remains of the day.’

Fiction by Zeyaur Rahman: ‘Hira stands near the edge of the clearing and watches the light change. The village does not arrange itself around their return. It continues, with the same economy of movement he has learned elsewhere.’

Poetry by Carol D’Souza: ‘Before the tabla taal of inevitability / kicks in the apocalypse, the first few bars / of this blue ghazal are clear notes / of what could have been.’

Essay by Srishti Sharma: ‘Love has a stinky feeling… It comes around only once a year. You can try all you like to recreate it, inject it, grow it in laboratories, package it better, sell it faster, but it will still smell and taste odd. It resists standardisation.’

Poetry by Ayaan Halder: ‘And then the browning milk that has gushed into his shoes, and mine,  / Carries us over / To someone else’s pyre. / The wind, by then, has ravaged his leaf.’

Fiction by Sanchalika Das: ‘I thought to myself that the god in heaven is just a child playing with clay, throwing it around with disregard and then picking it up with the intention of throwing it again with utter delight. The clay loses and gains in this process.’

Poetry by Parismita Kakati: ‘When they burn me by the river, my pyre ignites / with smoke that rises thick and not sandalwood sweet / A stench grapples the air, reeking of desire / like overripe fruit splitting under its own weight.’

Personal Essay by multidisciplinary artist Ravi Modi: ‘Truth, I came to realise, is fluid, shapeshifting, dusty, incomplete. It never arrives whole. It gathers slowly, the way vision does, through fragments and adjustments. Much like my own sight, truth is always in the process of becoming.’

Poems by Prahi Rajput: ‘the surviving curiosity / in descendant’s narrative is wrested from a ticket & one welcomes / the other through its foreign / door/translating displacement & dialect’

Fiction by Armaan: ‘Your jersey is all sweaty. And your shorts too. It’s stinking up my room. Take it off. / Dilawar’s eyes turned to the door. He felt like if he ran through it, nobody would find him. All he had to do was run.’

Poetry by Gopi Kottoor: ‘And why after that sun-dusked rainbow / Turned our eyes colour-blind // Why is it that your footprints in the dark, / Still lead me to that secret altar’

Personal Essay by Kinjal Sethia: ‘Some lanterns burned outside this huddle of bhajans and stories. As kids, we kept close to the elders. It would be hauntingly dark outside this circle, and we pretended to conjure witches waiting in the inner rooms or imagined that the screech of the fruit bats was the call of the spirits.’

Poems by Saurabh Suman: ‘in the music that declares the arrival of autumn— / the evening breeze caressing / almost dried-up leaves, / trembling as they cling to the stem’

Fiction by Labiba Alam: ‘Nandita’s arrival in our lives was similar to a new season dawning upon the hills. It was a slow, effortless glide, almost organic. It looks as if it had always been there, only we had begun to feel its newness by degrees.’

Poetry by Sukrita Paul Kumar: ‘the golden sheen on the pines / beckons the waves of the grey ocean / and the silver arrows dart forth in unison’

Poems by Abhilipsa Sahoo: ‘Once, I was a little bird slowly blooming out of the warm embrace of the nest to learn the taste of first flight, believing that distance was proof of growth. Now I’m just plainly tired of being the burnt-out lamp on my parents’ windowsill’

Flash Fiction by Nagireddy R. Sreenath: ‘We don’t talk about the silence between us: the missed birthdays, the calls that went to voicemail, the distance that grew while neither of us looked directly at it.’

Short Story by Biswajit Chatterjee: ‘But this peculiarly-formed lad is an altogether different animal when he is in water. With his unfamiliar yet uncanny ability, he learns to handle the waves, the deadly undercurrents, the movement of the swells, the whirlpools.’

Poems by Arya Gopi: ‘I carry my exile in my pocket— / seventeen reminders that buzz / like electronic prayers / to gods who’ve forgotten / how to synchronize.’