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The Chakkar - Indian Arts Review
Name Game
9 September 2026
Name Game
9 September 2026

What’s in a name? India has a long history of rebranding cities, streets, and buildings to reflect the political influence of the time. Instead of this empty tokenism, Vipin Labroo argues for the country to shift priorities towards its more pressing concerns.

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9 September 2026
Parallel Indias
6 September 2026
Parallel Indias
6 September 2026

Photo series by Vijay Kowshik V P: Parallel Indias is about proximity without connection, a study of coexistence without recognition. These are images of adjacency, lives, symbols, and bodies, all occupying the same space, often within the same frame, without ever meeting.

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6 September 2026
Welcome to… The 2nd Landour Literature and Arts Festival [LLAF]
3 September 2026
Welcome to… The 2nd Landour Literature and Arts Festival [LLAF]
3 September 2026

Visit us for the 2nd edition of the Landour Literature and Arts Festival on September 26-27, 2026, a weekend of arts, film, literature, music, and much more, featuring speakers and artists from the hillside and beyond. By The Chakkar and Mussoorie Heritage Centre

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3 September 2026
The City and its Layers: An interview with Ruchir Joshi on GREAT EASTERN HOTEL
Literature The Chakkar 31/08/26 Literature The Chakkar 31/08/26

The City and its Layers: An interview with Ruchir Joshi on GREAT EASTERN HOTEL

Q&A: Ruchir Joshi speaks about Great Eastern Hotel—a novel of changing times and changing minds—about Calcutta, and his inspirations from art and memory. By Amritesh Mukherjee

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Flow of Conversation: Zahir Mirza’s podcast from Kerala’s waterways
Misc. The Chakkar 13/08/26 Misc. The Chakkar 13/08/26

Flow of Conversation: Zahir Mirza’s podcast from Kerala’s waterways

Interview: On “Float with Boatcast”, Zahir Mirza takes his guests on a cruise through lakes, rivers, and seas to discuss topics of interest on Kerala and beyond. By Nileena Sunil

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“Break the Barriers!” – An Interview with Usha Uthup
Music The Chakkar 11/06/26 Music The Chakkar 11/06/26

“Break the Barriers!” – An Interview with Usha Uthup

Continuing a five-decade-long singing career, Usha Uthup speaks about staying relevant with changing times, meme culture, radical self-love, and covering Miley Cyrus. By Deepansh Duggal

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“I wanted the book to ‘sound’ and ‘feel’ like the internet” – Ria Chopra on NEVER LOGGED OUT
Literature The Chakkar 31/05/26 Literature The Chakkar 31/05/26

“I wanted the book to ‘sound’ and ‘feel’ like the internet” – Ria Chopra on NEVER LOGGED OUT

In Never Logged Out, Ria Chopra presents astute observations on growing up online, Gen Z, and the Indian internet, approaching these subjects with a writer’s restraint rather than a theorist’s grandiosity. By Sneha Bengani

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Q&A: Fiction writer Salini Vineeth discusses the experiences and inspirations that shaped her journey
Literature The Chakkar 22/05/26 Literature The Chakkar 22/05/26

Q&A: Fiction writer Salini Vineeth discusses the experiences and inspirations that shaped her journey

In a wide-ranging interview, Salini Vineeth speaks about profound questions of identity in her work, switching to literature after an engineering background, writing in multiple languages, and more. By Mitra Samal

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Stories of Wisdom and Healing: An Interview with Faiqa Mansab
Literature The Chakkar 07/04/26 Literature The Chakkar 07/04/26

Stories of Wisdom and Healing: An Interview with Faiqa Mansab

The Pakistani author Faiqa Mansab of The Sufi Storyteller speaks about women’s lives as messy, constrained, and politically situated, of motherhood as both power and erasure, about abandonment as a recurring human condition, and more. By Namrata

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“Storytelling Saves My Life Every Day” – An Interview with Sanjana Ramachandran
Literature The Chakkar 27/12/25 Literature The Chakkar 27/12/25

“Storytelling Saves My Life Every Day” – An Interview with Sanjana Ramachandran

Sanjana Ramachandran’s debut Famous Last Questions investigates the clash of the personal with the sociopolitical. The author speaks about masking and unmasking herself, finding comfort in contradictions, and the flawed institutions of marriage, relationships, and work. By Karan Madhok

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“Revolutionary literature requires revolutionary politics”: An Interview with Meena Kandasamy
Literature The Chakkar 11/12/25 Literature The Chakkar 11/12/25

“Revolutionary literature requires revolutionary politics”: An Interview with Meena Kandasamy

Acclaimed author Meena Kandasamy discusses the uncompromising and unapologetic resolve in her writing, confronting violence with art, and why activism is a form of love. By Saurabh Sharma

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“Liberate poetry from the definition of poetry itself”: An Interview with Madhu Raghavendra
Literature The Chakkar 21/10/25 Literature The Chakkar 21/10/25

“Liberate poetry from the definition of poetry itself”: An Interview with Madhu Raghavendra

In a detailed conversation, poet Madhu Raghavendra speaks about his literary journey, finding space for politics in his poetics, the inspiration of art and bhakti in his work, and more. By Chittajit Mitra

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“The more opposition I get, the more energy I get” – An Interview with Sudeep Chakravarty
Literature The Chakkar 12/05/25 Literature The Chakkar 12/05/25

“The more opposition I get, the more energy I get” – An Interview with Sudeep Chakravarty

Author and journalist Sudeep Chakravarty speaks about the stories that drive him, wandering across genres, and his Delhi-based latest work, Fallen City. By Amritesh Mukherjee

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Where do we find a story? An interview with Snehaprava Das
Literature The Chakkar 14/02/25 Literature The Chakkar 14/02/25

Where do we find a story? An interview with Snehaprava Das

Poet, author, and translator Snehaprava Das speaks to Mitra Samal about her storytelling process, how translation can enhance creativity, the authors that have inspired her, and more.  

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“I surrendered to the chaos”: An Interview with Tashan Mehta, author of MAD SISTERS OF ESI
Literature The Chakkar 18/08/24 Literature The Chakkar 18/08/24

“I surrendered to the chaos”: An Interview with Tashan Mehta, author of MAD SISTERS OF ESI

“I was chasing this desire to pin down the inexplicable when I wrote Mad Sisters, but acknowledge that it is inexplicable. It sort-of grew in the novel, intwining with the cosmos and the idea of the sublime, and how the interpersonal is the tether that keeps us sane—and perhaps caged.” By Akankshya Abismruta

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