In a new collection, Goan artist Harshada Kerkar paints intimate portraits to celebrate the lives of locals and villagers around Mussoorie. By Karan Madhok

“What is the relationship a person has to a landscape, their land, and a home?” Shalmali Shetty speaks about her career as a curator, global themes of home and homecoming, and the changing atmosphere for artists around the world. By Deekshith Pai

Photo Essay: In a visit to the Serendipity Arts Festival in Panjim, Goa, Deekshith Pai explored the political complexities of contemporary art while rediscovering his own ancestral lands.

Featuring artwork by some of India’s greatest artists, “Ink” at New Delhi’s Gallery Espace plays the role of a catalyst in thinking beyond the normative practices of art-making, art showcasing, and curatorial interventions. By Satarupa Bhattacharya

Amrit Pal Singh’s 3D toy-like renditions of characters, figures, and movements celebrate a whimsical childhood that transcends age. By Bindu Gopal Rao

The fifth edition of the international art residency ‘Chitrashaala’ concluded in Mukteshwar, inspiring over a hundred new artworks by artists from all around the world at the foothills of the Himalaya. By Bindu Gopal Rao

With people spending more time at home post-pandemic, Bindu Gopal Rao tracks the rise of custom art in India: The standard, cookie-cutter work is no longer the preference, as consumers strive for art that reflects their personality and life journey.

At Bengaluru’s gallery g, an exhibition of India’s artistic century journey from 1850 to 1950 presents a complex synthesis, resulting from the cross-pollination of old and new, Indian and European, traditional and innovative. By Bindu Gopal Rao

Inspired by her visit to monasteries in Ladakh, to the ghats of Ganga at Varanasi, Kedarnath, temples of south India, Kanheri caves at Mumbai and more, artist Shruti Goenka created a series of artworks peppered with elements of spirituality in the series “Antarman—A Journey Within”. By Bindu Gopal Rao

In the work of Indian modernist master Gopi Gajwani, the art features a strong sense of swirling and distancing, one that emerges as a glimpse of an image that is at once illusive and difficult to escape. By Satarupa Bhattacharya

Held in Mumbai, the exhibition Woman is as Woman Does presented moving homages to feminist artivism and archives of alternate ‘doings’, across the years since India’s Independence. By Anna Lynn

In interaction with contemporary South Asian art, Jahnabi Mitra asks, how can artists truly help with climate change action? What larger purpose can these works serve? Or do they end up normalizing the dystopic times ahead?