Rage, Rebellion, and the Beautiful Asymmetry of Human Imperfection
In Lavanya Lakshminaryan’s The Ten Percent Thief, a dystopic Indian future serves as the setting to explore existential dilemmas of human creativity in the face of an authoritarian technocracy. By Karan Madhok
The Old Age Home at The End of The Universe
Short Story by Soham Guha: ‘She will not know the scent of freshly sown grass, the fragrance of blooming flowers, the sound of breaking waves, the songs of birds, the hymns of cicadas, the taste of ripening mangoes, the warmth of the earth. She will never know her home like me.’
Qfwfq in Golaghat, or: How I Fell in Love with Science Fiction
Personal Essay by Karna: ‘I was adept in two subjects demanding two utterly distinct kinds of engagement: one gave me insights into culture, society, language, and human beings; the other perhaps anticipated that I would prefer the mind to the body.’
In its efforts to truly understand Bengali culture, the BJP government must accept that it will gain nothing by asserting its influence over Durga Puja pandals. Any attempt to politicise and constrain their artistic freedom diminishes the distinctive flavour of the spectacle. By Sujoy Sarkar