Singer-songwriter Ady Manral introduces his music documentary from Landour, a visual EP rinsed with the lush sights and sounds of monsoon in the Himalayan foothills.
With brutal carnage presented with celebratory beats, Dhurandhar: The Revenge pushes viewers towards a stony insensitivity, creating a sense of heightened tempo and exhilaration without moral recoil. By Abin Chakraborty
Essay by Srishti Sharma: ‘Love has a stinky feeling… It comes around only once a year. You can try all you like to recreate it, inject it, grow it in laboratories, package it better, sell it faster, but it will still smell and taste odd. It resists standardisation.’
At the Student Protests in Jantar Mantar, Dikshit Sharma turns his lens to the moments of collective solidarity—the trash collectors, the food delivery workers, the volunteers, the living community—to reveal the architecture which quietly carries history forward.