Stepping Beyond the Boundaries: An Interview with Tishani Doshi
In a wide-ranging conversation with, acclaimed poet and dancer Tishani Doshi spoke to Ronald Tuhin D’Rozario about her literary work, the fundamentals of ‘Vilambit’ in her writing, and artistic journeys through space and time.
To Live in a Language: An interview with Sumana Roy
Poet, writer, and essayist Sumana Roy speaks to Ronald Tuhin D’Rozario about the creative process, shifting between poetry and prose, and the ‘joyous riyaz’ of a literary life.
Arundhati Roy: A Troublemaker Needed for our Troubled Times
Arundhati Roy’s storytelling illuminates the desires to split open the human grids that characterize our world, and fulfil her yearning for a particular kind of homeland: a gentler, stiller, less hypocritical, and less transactional place. By Saba Karim Khan
A Civilization and its Stories: Salman Rushdie’s VICTORY CITY
In his latest work, Salman Rushdie expertly flirts with the line between fact and fiction, declaring all living beings—including those reading his book—may be ‘characters’ in a grander historical fiction. When nothing is real, stories are the only reality. By Karan Madhok
An Entwined Trajectory of Bombay and a Boy
Jerry Pinto’s The Education of Yuri (2022) is an atmospherically saturated, layered accordion, sounding an adventure in scale that simultaneously encompasses the chronicle of a young boy’s coming of age, and a time capsule of Bombay of a bygone era. By Paromita Patranobish
The Secret Name
An essay on art and analysis by Dhani Muniz: “Art was never art in the way that food has always been food; or perhaps, rather, it is a vast restaurant at the end of the universe in which we are all picky eaters.”
Tales from a Bloody Baisakhi
Set around the 1919 Jallianwala Bagh massacre, Navtej Sarna’s Crimson Spring is a tragic retelling that details individual lives shattered by this dark chapter in history. By Shreemayee Das
Art Against the Algorithm: Vauhini Vara’s THE IMMORTAL KING RAO
In Vauhini Vara’s debut novel, the story of the eponymous King Rao is part of larger questions of human creativity and meaning in a transhumanist world, where life is data-fied, and sentience, thought, emotion and ethics are mere products of automated and arbitrary calculations. By Paromita Patranobish
In THE NUTMEG’S CURSE Amitav Ghosh gives voice to our ailing planet
In The Nutmeg’s Curse, Amitav Ghosh explores the epistemic gap between Enlightenment modernity’s designation of all nonhuman beings as objects meant to cater to human needs, and the indigenous worldview that identifies these ‘objects’ as active, vibrant, sentient individuals. By Paromita Patranobish
Naming the Unnameable: Daribha Lyndem’s NAME PLACE ANIMAL THING
In Daribha Lyndem’s novel Name Place Animal Thing, the effective use of layering of time, space, and cultural practices culminate into a generational arc of south Asian female adolescence and young adulthood. By Paromita Patranobish
Mir Kashif Iqbal, Gehraiyaan, and Chandan Pandey - What’s The Chakkar?
What’s The Chakkar? Episode 17: We’re listening to Mir Kashif Iqbal; watching Gehraiyaan; and reading Chandan Pandey and Alice Munro. Featuring Anurag Tagat, Prateek Santram, and Shaista Vaishnav. Hosted by Karan Madhok.
The Performance of Trauma in Fiction
Priyanka Chakrabarty dives into examples of contemporary South Asian literature to explore the blurred line between trauma and ‘trauma porn’. Can fiction account for lived experiences and realities of trauma without making the plot performative?