Poetry by Priyanka Aravind P.: ‘I too had a mother, / Who fed me with knowledge so ancient, / And called me her brightest star, // until I misspelt a note from the sacred chants.’

Interview: On “Float with Boatcast”, Zahir Mirza takes his guests on a cruise through lakes, rivers, and seas to discuss topics of interest on Kerala and beyond. By Nileena Sunil

Through her memoir, Arundhati Roy revisits the foundry where her courage was forged, to the mother who didn’t prepare her for success, but inadvertently trained her to withstand both adoration and hatred to determine her survival. By Amritesh Mukherjee

Chronicle of An Hour and a Half (2024) establishes Saharu Nusaiba Kannanari as a writer fierce and loyal to his craft, as he invites the readers to reflect on the spectacle of violence in our technologically-powered society. By Akankshya Abismruta

Despite an uneven recipe, Abhishek Chaubey’s Killer Soup has enough strong performances and intrigue to make for a palatable—and entertaining—main course. By Karan Madhok

No place in the world is quite like Fort Kochi—A collage of Indian, Portuguese, Dutch, English, and Chinese cultural and architectural influences, a humming postcard from the past. Photo Gallery by Karan Madhok

For his collection “Poetry of Impermanence”, Sanoop P.C. turned his environment in Anchangadi, Kerala into his inspiration, allowing the profound experience where the site of observation is also one of creation. By Reema Kurikkalot

In his 2021 short documentary, Amal Shihabudeen poses questions of belonging and identity to the uneven balanced faced by migrant labourers in Kerala.

In Moustache, S. Hareesh creates a modern Indian fable, a magical, evolving story that spreads its bushy tentacles far beyond the pages of the novel. By Karan Madhok

Photo Gallery: Traversing across a labyrinth of water from Alappuzha to Kochi, the canals, lakes, and lagoons that form the serene backwaters of Kerala. By Karan Madhok

How does one introduce a child to the art of Raja Ravi Varma without being bogged down by the mounds of effusive praise and harsh criticism that have accumulated for over a century? Shobha Tharoor Srinivasan grapples with the question in Prince with a Paintbrush: The Story of Raja Ravi Varma.

Jeo Baby’s remarkable film The Great Indian Kitchen (2021) is a critique of patriarchy in Indian households, a delicious recipe of a discomforting, cold dish. - By Deekshith Pai