The Unsettling Politics of Violence and Music in ‘Dhurandhar’
With brutal carnage presented with celebratory beats, Dhurandhar: The Revenge pushes viewers towards a stony insensitivity, creating a sense of heightened tempo and exhilaration without moral recoil. By Abin Chakraborty
How to Resist a Postmodern Zombification
From Dhurandhar’s Rahman Dakait to Shaurya’s Rudra Pratap Singh, Abin Chakraborty delves into Miltonic rhetoric to explore social media trends of heroism celebrated without moral rectitude.
The City as Erised’s Mirror: A Vision of Kolkata
Photo Essay by Abin Chakraborty: ‘Kolkata is a kaleidoscope: turn your gaze and a new pattern will emerge. What you wish to see is therefore a combination of what you want to see and what your gaze is capable of perceiving.’
Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’