Creativity The Chakkar Creativity The Chakkar

Lathi

Flash Fiction by Rajan Narayan: ‘And somewhere in this city, perhaps not far from where he stood, lay something that was once human, broken and beaten by the vengeance that still radiated from the piece of wood, now quivering in his tiny hands.’

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You Are Who I Love: Poems by Prashant Pundir

Poetry by Prashant Pundir: ‘You are who I love, handmaking woolens, handmaking hope, handmaking this life, you who, with your tiny legs, walk to all the medicine stores and dog shelters and government buildings, saying: I REFUSE TO SPEAK A LANGUAGE PIROUETTED IN HATE AND ANGER’

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Creativity The Chakkar Creativity The Chakkar

Dumb Witness

Short story by Madhurjya Goswami: ‘You ask yourself a question: How does a fallen airplane look? Does it look like a pigeon squashed to the ground, its neck askew? And the hot, unplastered room answers: well, you’ve got to see it yourself.’

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Another Sunrise

Poetry by Devika Mathur: ‘Curtains fall from dawn to dusk. / A river to see her face. / Shining clouds bring flowers to her. / An admirer of nightingales and lanterns.’ 

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The Words Between Us

Personal Essay by Namrata: ‘Language is meant to bring us closer. To help us say: I see you. I want to understand you. I care enough to learn your words. And when we turn language into a line in the sand and use it to exclude, to shame, to assert dominance, we forget its most sacred purpose: to connect.’

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Creativity, Literature The Chakkar Creativity, Literature The Chakkar

‘I have exiled my heart; I loved across boundaries’—An excerpt from Arshi Javaid’s YAADGAH: MEMORIES OF SRINAGAR

‘However, the happiness was short lived. Soon there was a knock on the door and all hope of love was lost for them. Ayush’s family had informed the police that their son had gone missing for a few hours, and they suspected he had been kidnapped by militants.’ By Arshi Javaid

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The Belle Bottom Club

Short story by Parthosarothy Mukherji: ‘“This is not a Miss Bum Bum contest,” Ash declared to his reluctant collaborators. “This is dignity through exposure. Democracy through anonymity. Art for the masses—by displaying their asses.”’

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In Anticipation of a Photogenic Tiger

Creative Nonfiction by Shivangi Mishra: ‘The street neatly divides the forest landscape into two almost symmetrical halves, but would the creatures of the wild adhere to road etiquette? In the human world, boundaries bespeak identity, and boundaries help masquerade.’

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The Old Age Home at The End of The Universe

Short Story by Soham Guha: ‘She will not know the scent of freshly sown grass, the fragrance of blooming flowers, the sound of breaking waves, the songs of birds, the hymns of cicadas, the taste of ripening mangoes, the warmth of the earth. She will never know her home like me.’

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