Short story by Karan Madhok: “Now, Lady, Miss: Please take the flowers and lean into your husband, like this, as if you are falling into him. Just a little. That’s why in English they say, ‘falling’ in love, no? Bas, gir jao unpar!”
What’s in a name? India has a long history of rebranding cities, streets, and buildings to reflect the political influence of the time. Instead of this empty tokenism, Vipin Labroo argues for the country to shift priorities towards its more pressing concerns.
In Lavanya Lakshminaryan’s The Ten Percent Thief, a dystopic Indian future serves as the setting to explore existential dilemmas of human creativity in the face of an authoritarian technocracy. By Karan Madhok
Creative Nonfiction by Shobhita Rewal: ‘Rotund Japanese purple enlarged. A plushie abandoned. Soot-stained lips float past. Saliva upon the metal in the skin. Chivalry ain’t dead yet, innit? Plebians need the masala but give this to me anyway.’