Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased? 

‘At a time when the world is watching missiles, sensitive diplomatic negotiation, and an escalating war, Indian viewers are treated instead to shrill theatrics, geopolitical illiteracy, and anchors screaming with the urgency of auctioneers selling discounted vegetables.’ By Sanjay Basak

The story of life through images: vivid, harsh, and warm, happy and sorrowful, colourful and violent. Here are some recent pieces of original art by Sanjay Basak.

‘If fear had a smell, it’s the air in the riot-torn areas in Northeast Delhi’ - Photos from the remnants of violence, by Sanjay Basak

Sanjay Basak visited a Churu, a sleepy and historic town in Rajasthan, to explore havelis, art, and remnants of history tucked in modern times.