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The Chakkar - Indian Arts Review
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
24 October 2026
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
24 October 2026

Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal

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24 October 2026
Judging the Cover: An interview with award-winning book designer Bena Sareen
21 October 2026
Judging the Cover: An interview with award-winning book designer Bena Sareen
21 October 2026

Bena Sareen, winner of the Oxford Bookstore Book Cover Prize, speaks about her latest honour and the “huge responsibility” of designing a memorable literary cover. By Chittajit Mitra

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21 October 2026
The Fraught Relationship Between Reality and Spectacle in Telugu Cinema
18 October 2026
The Fraught Relationship Between Reality and Spectacle in Telugu Cinema
18 October 2026

The problematic representation of women in many recent Telugu blockbusters like Peddi and the Pushpa films have stoked controversy. When mainstream commercial cinema consistently turns the sexualisation of women into entertainment, who should be responsible for the world these images help create? By Sumithra Prasanna

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18 October 2026
No More a Rootless Vine: Photo Story by Anamika Tamuli
Photography The Chakkar 11/06/25 Photography The Chakkar 11/06/25

No More a Rootless Vine: Photo Story by Anamika Tamuli

Photo Story by Anamika Tamuli: ‘In the rural rhythms of Assam, care reveals itself in invisible labors—the hands that keep a home running, the feet that move through flooded fields, the time lost between one obligation and another.’

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The City as Erised’s Mirror: A Vision of Kolkata
Photography, Creativity The Chakkar 27/03/25 Photography, Creativity The Chakkar 27/03/25

The City as Erised’s Mirror: A Vision of Kolkata

Photo Essay by Abin Chakraborty: ‘Kolkata is a kaleidoscope: turn your gaze and a new pattern will emerge. What you wish to see is therefore a combination of what you want to see and what your gaze is capable of perceiving.’

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Basant Panchami, Sufi Tunes, and Devotion: A tale of harmony at Nizamuddin Dargah
Photography The Chakkar 08/02/25 Photography The Chakkar 08/02/25

Basant Panchami, Sufi Tunes, and Devotion: A tale of harmony at Nizamuddin Dargah

Photo Story by Zerneela Mohammed Wakil: Every year, the spring festival of Basant Panchami is celebrated with fervour at the Dargah of Hazrat Nizamuddin Auliya in New Delhi, with deep-rooted Sufi connections stretching back to the 13th-century.

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