The Politics of Female Longing in Fire and “Lihaaf”
In the art of filmmaker Deepa Mehta and writer Ismat Chughtai, Farah Ahamed explores themes of patriarchy, infidelity, and a testament to the desires of women.
Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased?
Short story by Debi Mukherjee: “Unlike the little girls I see outside temples, draped in their pano bhaju’s stringing garlands of Marigolds, I dare not play with the flowers in our garden. Papa cautions me against the rows of Mogras, Shoe-flowers, Frangipanis and a multitude of others. He says that I must not be lured by a flower’s fragrance.”
In the art of filmmaker Deepa Mehta and writer Ismat Chughtai, Farah Ahamed explores themes of patriarchy, infidelity, and a testament to the desires of women.
Set against the landslide-prone terrain of Kinnaur, plagued by environmental collapse and infrastructural neglect, the short film Tenfa (2026) provides a vision of hope through memory, ecology, and community. By Sohini Sengupta