Singer-songwriter Ady Manral introduces his music documentary from Landour, a visual EP rinsed with the lush sights and sounds of monsoon in the Himalayan foothills.
With brutal carnage presented with celebratory beats, Dhurandhar: The Revenge pushes viewers towards a stony insensitivity, creating a sense of heightened tempo and exhilaration without moral recoil. By Abin Chakraborty
Personal essay by Sreelekha Chatterjee: ‘I had a habit of waking up at the slightest disturbance in the surroundings. In the wavering streetlight coming from the open doors at both ends of the room, there were silhouettes of ghastly figures shortening and lengthening.’
At the Student Protests in Jantar Mantar, Dikshit Sharma turns his lens to the moments of collective solidarity—the trash collectors, the food delivery workers, the volunteers, the living community—to reveal the architecture which quietly carries history forward.