Poetry by Kartikay Agarwal: ‘Will the last book of the last people to write books / (when all else is said) at the end just say ‘write to me’? // The wheel spins the pot to life, yet leaves no trace, / You be potter, mould life into my clay—write to me.’

In a world filled with abstractions, the greatest clarity in Gyan Chaturvedi’s The Madhouse (Pagalkhana) comes from the protagonist’s never-ending pursuit for escape: an escape from the Bazaar, from the dependence on commodification, from being commodified themselves. By Karan Madhok

In Radio for the Millions: Hindi-Urdu Broadcasting Across Borders, Isabel Huacuja Alonso demonstrates how radio created transnational communities of listeners and broadcasters, who defied colonial and postcolonial governments’ stranglehold over the medium and maneuvered it for their own purposes. By Sohel Sarkar

Golchakkar Series - The March panel of our virtual literary talk features Benyamin, Pankhuri Sinha, Ramesh Karthik Nayak, and Neelam Saxena Chandra: Mother Tongues in a Global Context.