The Chakkar - Indian Arts Review
The Sunday Afternoon Rewatch
The Sunday Afternoon Rewatch

Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’

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‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late

Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal

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Judging the Cover: An interview with award-winning book designer Bena Sareen
Judging the Cover: An interview with award-winning book designer Bena Sareen

Bena Sareen, winner of the Oxford Bookstore Book Cover Prize, speaks about her latest honour and the “huge responsibility” of designing a memorable literary cover. By Chittajit Mitra

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Photography The Chakkar Photography The Chakkar

Photo-Essay: A Muted Eid in Dalmandi

Last year, a road-widening project for access to the Kashi Vishwanath Temple upended the lives of many residents and traders in Varanasi’s historic Dalmandi area. On Eid al-Fitr, Karan Madhok visited the alleyways among the rubble of demolition.  

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Creativity The Chakkar Creativity The Chakkar

Like Sullied Water

Short story by Mehreen Ahmed: ‘As soon as she stepped out of the cubicle, the ‘ghost’ disappeared. Perhaps, it was an optical illusion. Like a rainbow where people saw only the colours, not the water particles behind the veil.’

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