![Welcome to… The 2nd Landour Literature and Arts Festival [LLAF]](https://images.squarespace-cdn.com/content/v1/5d7fa27ac591f01062106a9f/1788439157377-RERG0W36805OFV0LH1QC/Main+Poster.png)
Mass Market Hate
Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased?
The Unsettling Politics of Violence and Music in ‘Dhurandhar’
With brutal carnage presented with celebratory beats, Dhurandhar: The Revenge pushes viewers towards a stony insensitivity, creating a sense of heightened tempo and exhilaration without moral recoil. By Abin Chakraborty
How to Resist a Postmodern Zombification
From Dhurandhar’s Rahman Dakait to Shaurya’s Rudra Pratap Singh, Abin Chakraborty delves into Miltonic rhetoric to explore social media trends of heroism celebrated without moral rectitude.
Photo series by Vijay Kowshik V P: Parallel Indias is about proximity without connection, a study of coexistence without recognition. These are images of adjacency, lives, symbols, and bodies, all occupying the same space, often within the same frame, without ever meeting.