Poetry by Sreeja Naskar: ‘i am learning how to measure loss in rings. / each year, the body thickens. / each year, the body splits. / no one asks why the tree bends — / they only marvel at the curve.’

Even with its feminist gaze, Dabba Cartel’s biggest win is how it resists baking its narrative with one-note markers of gender and social identity. The result is a batch of hungry women out to hunt—sinking their teeth in this world to devour it to their heart’s content. By Sneha Bengani

Despite an incomplete end to a promising career, Indian cricket will remain indebted to Virat Kohli for revolutionizing the Test game, leading the national team through tough transitional phases, and becoming one of the best batsmen the country ever produced. By Jamie Alter

Bollywood has had a long history of finding “inspiration”—or barefaced plagiarism. Nivedita Dey recounts the many films, songs, and creators who imitated from the West (and more) and muses on the value of artistic originality.

When a young man calls a woman a ‘bandi’ in Made in Heaven, he casts the burden of decency upon her shoulders. Kavya Maheshwari explores how the intersection of language, power, and gender in contemporary Indian society reinforces patriarchal norms.

Films like Mrs., The Great Indian Kitchen, Thappad, Dor, and more sparked widespread discussion about the value our society assigns to women’s labour and agency. Sarthak Parashar writes about how the impossible choices faced under patriarchal social obligations—in reel and real life.  

Author and journalist Sudeep Chakravarty speaks about the stories that drive him, wandering across genres, and his Delhi-based latest work, Fallen City. By Amritesh Mukherjee

Media literacy is an urgent need in a country as diverse and complex as India, where the unchecked spread of misinformation carries profound consequences for the very fabric of democracy and social harmony. By Arsalan Shamsi

For over a decade, the wildlife biologist Purnima Devi Barman has committed herself to the preservation of the greater adjutant in Assam, and has led a community-driven initiative with local women to work towards stork conservation. By Vinita Agrawal

In a world filled with abstractions, the greatest clarity in Gyan Chaturvedi’s The Madhouse (Pagalkhana) comes from the protagonist’s never-ending pursuit for escape: an escape from the Bazaar, from the dependence on commodification, from being commodified themselves. By Karan Madhok

In times of stress and anxiety, why do many of us choose the familiarity of a ‘comfort watch’—of familiar shows, plotlines, and characters? Raj Darji explores a sense of loss among abundance.

Poetry by Goirick Brahmachari: ‘Your absence floats in / Within my house of shadows, / And stale miseries, / Broken windows; breezing in / Lost islands of fog and snow.’