In Night in Delhi (2025), Ranbir Sidhu lays bare the city of shadowlands, and of lives pushed to the margins of visibility and worth, as it exists in continuum alongside the bright and aestheticized metropolis. By Anjali Chauhan

The picture book Roop and the River Crossing (2025)—written by Samina Mishra and illustrated by Shivam Choudhary—gently nudges its readers to reflect upon the ideas of home, belongingness, displacement, and what it means to be uprooted as one steps into the unknown. By Navtoj Khosla

Photos: Speakers and artists from the hillside and beyond attended the first edition of the LLAF in Landour to shine a light upon literature, history, art, music, poetry, film, and more. By Karan Madhok

Amrita Pritam, Saadat Hasan Manto, and Kamala Das were all writers who, even in life, lived on the edge of taboo, scandal, and self-revelation. In death, stripped of agency, their voices have been reframed by the very people who claim to honour them. By Treya Sinha

From Coldplay’s misguided “Hymn for the Weekend” to Ed Sheeran’s collaborative “Sapphire,” Akankshya Abismruta celebrates a new kind of cultural synthesis between the West and the East.

Poetry by Mary Tina Shamli Pillay: ‘Pressured through the / mist, we are tormented / by the sharp blue sky, / the muffled din of a / wailing child, the crackle / of a hostess, the wrapping / unwrapping of smiles.’

Flash Fiction by Rajan Narayan: ‘And somewhere in this city, perhaps not far from where he stood, lay something that was once human, broken and beaten by the vengeance that still radiated from the piece of wood, now quivering in his tiny hands.’

Poetry by Prashant Pundir: ‘You are who I love, handmaking woolens, handmaking hope, handmaking this life, you who, with your tiny legs, walk to all the medicine stores and dog shelters and government buildings, saying: I REFUSE TO SPEAK A LANGUAGE PIROUETTED IN HATE AND ANGER’

Editorial: With the intention of promoting the arts borne and inspired from Landour, Mussoorie, and the Garhwal region, The Chakkar and the Mussoorie Heritage Centre [MHC] are launching the Landour Literature & Arts Festival. The first edition of LLAF will shine a light upon history, literature, art, music, poetry, film, and more. By Karan Madhok

The team behind the documentary My Otter Diary (2025) speak about filming the enigmatic species, conflict between fisherman and wildlife, and their hopes for otter conservation. By Sravasti Datta

Poetry by Goirick Brahmachari: ‘Love is like the wild lilacs, white / Apple trees over green meadows, / Riverstones I have walked over / For years— splattered, irate, broken.’

Short story by Madhurjya Goswami: ‘You ask yourself a question: How does a fallen airplane look? Does it look like a pigeon squashed to the ground, its neck askew? And the hot, unplastered room answers: well, you’ve got to see it yourself.’