Photo Essay by Karan Madhok: ‘I’m still feeling the nasha of this place the next morning; it’s a glow of inner joy, a celebration of each scintilla of being alive. I feel the feathery wafts of mountain breeze, see the clear horizon appearing after the night’s downpour, and watch farm animals grazing on grass, soaking in the morning sun.’

With the recent restoration and re-release of Umrao Jaan (1981), Himanshi Aggarwal revisits the film from a queer lens, as Rekha’s titular character serves as an allegory for anyone forced to perform respectability in a world that denies them legitimacy.

In his multigenerational saga A Person is a Prayer (2024) Ammar Kalia weaves together several characters, each struggling, yearning, and often failing to find clarity in the shadows of their predecessors. As with many internal struggles, they persist in silence. By Shivani Patel

Films like Chhaava have highlighted the valour of Sambhaji and the tyranny of Aurangzeb; the final word in that film, however, is less concerned with history and more with the ideology of the country’s current rulers. By Mozid Mahmud

Poetry by Shobha Tharoor Srinivasan: ‘somewhere, / in the quiet / of this new world, / a new rhythm / begins to hum.’

Poem by Manasha Sharma: ‘stumbling and mumbling it shows itself / in a half unscathed smile / in ragged dirty clothes, / my love homes itself before it gathers space.’

A letter to a friend lost carelessly: ‘With shut eyes, I see you and then myself, rushing around in strange, centripetal circles. Lost souls in fish bowls, swimming around a quiet and darkened running-track’ By Ayaan Halder

The Great Nicobar Betrayal (2024) is essential reading for anyone concerned about India’s ecological future and the future of our species on Earth. Tansy Troy discusses the collection with an inspired set of illustrations of the island’s many breathtaking species.

Photo Story by Anamika Tamuli: ‘In the rural rhythms of Assam, care reveals itself in invisible labors—the hands that keep a home running, the feet that move through flooded fields, the time lost between one obligation and another.’

Fiction by Sarthak Sharma: ‘I caught no more reflections. Soon enough, I smelled cattle. The truck moved away from Praznath. In my rush, I had carried the old T-shirt, carrying with it the dust of my home.’

Nalanda was not a singular anomaly but the culmination of a thousand years of intellectual tradition. Amritesh Mukherjee reflects on Abhay K.’s latest book on the subject, and how the ‘mahavihara’ can serve as a beacon for contemporary educational institutions.

Satire: The solution to AI mimicking humans is to have humans mimic the AI that mimics the human. From Vikram Chandra and Salman Rushdie to mythological adventures and a popcorny topsy-turvy romance, here is our preview of the 15 hottest and thoroughly fraudulent Indian books for the 2025 summer. By Karan Madhok