A BUNTY AUR BABLI for the Millennials
The sixteen-year wait between Bunty Aur Babli and its sequel projects the face of a new, millennial Indian generation and their aspirations—even for the latest brand of the film’s con-artists. By Toonika Guha
Singer-songwriter Ady Manral introduces his music documentary from Landour, a visual EP rinsed with the lush sights and sounds of monsoon in the Himalayan foothills.
With brutal carnage presented with celebratory beats, Dhurandhar: The Revenge pushes viewers towards a stony insensitivity, creating a sense of heightened tempo and exhilaration without moral recoil. By Abin Chakraborty
The sixteen-year wait between Bunty Aur Babli and its sequel projects the face of a new, millennial Indian generation and their aspirations—even for the latest brand of the film’s con-artists. By Toonika Guha
At the Student Protests in Jantar Mantar, Dikshit Sharma turns his lens to the moments of collective solidarity—the trash collectors, the food delivery workers, the volunteers, the living community—to reveal the architecture which quietly carries history forward.