The Chakkar - Indian Arts Review
The Sunday Afternoon Rewatch
The Sunday Afternoon Rewatch

Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’

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‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late

Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal

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Judging the Cover: An interview with award-winning book designer Bena Sareen
Judging the Cover: An interview with award-winning book designer Bena Sareen

Bena Sareen, winner of the Oxford Bookstore Book Cover Prize, speaks about her latest honour and the “huge responsibility” of designing a memorable literary cover. By Chittajit Mitra

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Creativity The Chakkar Creativity The Chakkar

Roses for Rinpoche

Fiction by Tansy Troy: ‘It is his image which comes to me now, teaching me mastery over illusion, instructing me how to transform my present suffering into future fortune. When we met him in the flesh, he blessed me with the name Tashi Tsomo. Auspicious feminine ocean.’

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Misc. The Chakkar Misc. The Chakkar

The Decline That Wasn’t

Popular historian Sanjeev Sanyal pushed the account of India’s intellectual decline post the Islamic conquests. In his research essay, Joshua Fernandes challenges Sanyal’s stance by presenting a connected history through a survey of Sino-Tibetan literature. 

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