The Storm and the Storyteller: Arundhati Roy’s MOTHER MARY COMES TO ME
Through her memoir, Arundhati Roy revisits the foundry where her courage was forged, to the mother who didn’t prepare her for success, but inadvertently trained her to withstand both adoration and hatred to determine her survival. By Amritesh Mukherjee
Arundhati Roy: A Troublemaker Needed for our Troubled Times
Arundhati Roy’s storytelling illuminates the desires to split open the human grids that characterize our world, and fulfil her yearning for a particular kind of homeland: a gentler, stiller, less hypocritical, and less transactional place. By Saba Karim Khan
‘In fiction, one finds the opportunity to utter the unsayable’ – An exploration of Queer Literature from India
Through a selected, personal exploration—from Ismat Chughtai to “Ugra”, Jerry Pinto to Megha Majumdar and more—Saurabh Sharma traces the evolution of queer narratives in Indian fiction.
Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’