“I realized HURDA cannot be one person’s story”—An interview with Atharva Pandit
Debut novelist Atharva Pandit discusses why he chose to render the true-crime story as fiction in Hurda, the polyphonic nature of the narrative, and his uninhibited portrayal of the investigation and the actors involved in the case. By Saurabh Sharma
What’s in a name? India has a long history of rebranding cities, streets, and buildings to reflect the political influence of the time. Instead of this empty tokenism, Vipin Labroo argues for the country to shift priorities towards its more pressing concerns.