Bena Sareen, winner of the Oxford Bookstore Book Cover Prize, speaks about her latest honour and the “huge responsibility” of designing a memorable literary cover. By Chittajit Mitra
The problematic representation of women in many recent Telugu blockbusters like Peddi and the Pushpa films have stoked controversy. When mainstream commercial cinema consistently turns the sexualisation of women into entertainment, who should be responsible for the world these images help create? By Sumithra Prasanna
Debut novelist Atharva Pandit discusses why he chose to render the true-crime story as fiction in Hurda, the polyphonic nature of the narrative, and his uninhibited portrayal of the investigation and the actors involved in the case. By Saurabh Sharma
Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal