![Welcome to… The 2nd Landour Literature and Arts Festival [LLAF]](https://images.squarespace-cdn.com/content/v1/5d7fa27ac591f01062106a9f/1788439157377-RERG0W36805OFV0LH1QC/Main+Poster.png)
Monsters and Men
Despite a promising premise, Anubhav Sinha’s courtroom drama Assi succumbs to formulaic depictions of sexual violence, trading nuance and subtleties for shock value. By Akshita Prasad
‘Mrs.’, ‘The Great Indian Kitchen’, and the Women Who Couldn’t Choose to Walk Away
Films like Mrs., The Great Indian Kitchen, Thappad, Dor, and more sparked widespread discussion about the value our society assigns to women’s labour and agency. Sarthak Parashar writes about how the impossible choices faced under patriarchal social obligations—in reel and real life.
Her Favourite Colour: How a ‘small’ incident in THAPPAD reveals the complex roots of Indian marriage and patriarchy
Anubhav Sinha’s Thappad (2020) raises questions on our conditioning and deeply-ingrained patriarchy, reminding us that abuse in a relationship comes in all forms—physical, emotional, blind to class or caste. Review by Nidhi Choksi Dhakan.
Photo series by Vijay Kowshik V P: Parallel Indias is about proximity without connection, a study of coexistence without recognition. These are images of adjacency, lives, symbols, and bodies, all occupying the same space, often within the same frame, without ever meeting.