Bena Sareen, winner of the Oxford Bookstore Book Cover Prize, speaks about her latest honour and the “huge responsibility” of designing a memorable literary cover. By Chittajit Mitra
The problematic representation of women in many recent Telugu blockbusters like Peddi and the Pushpa films have stoked controversy. When mainstream commercial cinema consistently turns the sexualisation of women into entertainment, who should be responsible for the world these images help create? By Sumithra Prasanna
In a film industry filled with mainstream Indian stereotypes—Hindi speaking, upper-class, ‘mainland’ Indians, that eat Butter Chicken—the pungent-smelling entrance of Axone about a community of Northeasteners in New Delhi feels like a true act of resistance - Review by Shayoni Mehta.
Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal