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The Chakkar - Indian Arts Review
Last Night’s Silence – Five Poems by Aardhra Chandran
21 September 2026
Last Night’s Silence – Five Poems by Aardhra Chandran
21 September 2026

Poems by Aardhra Chandran: ‘Concrete trucks rumble past his fence, shaking the loose teeth / in his jaw, spitting black diesel smoke onto his holy basil plant. // He measures his life not in years, but in missing trees—/The neem chopped for wood, the mango that died of thirst.’

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21 September 2026
‘Charulata’ and The Unseen Woman
18 September 2026
‘Charulata’ and The Unseen Woman
18 September 2026

‘To exist fully as an artist and human, one must be seen, heard, read, and acknowledged’: Farah Ahamed explores Satyajit Ray’s Charulata through the lens of Simone de Beauvoir.

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18 September 2026
Sanctuary: Abstractions in Prose
15 September 2026
Sanctuary: Abstractions in Prose
15 September 2026

Creative Nonfiction by Shobhita Rewal: ‘Rotund Japanese purple enlarged. A plushie abandoned. Soot-stained lips float past. Saliva upon the metal in the skin. Chivalry ain’t dead yet, innit? Plebians need the masala but give this to me anyway.’

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15 September 2026
Spiritual Homecomings: Shalmali Shetty on her curatorial project “The nights will follow the days”
Art The Chakkar 11/04/24 Art The Chakkar 11/04/24

Spiritual Homecomings: Shalmali Shetty on her curatorial project “The nights will follow the days”

“What is the relationship a person has to a landscape, their land, and a home?” Shalmali Shetty speaks about her career as a curator, global themes of home and homecoming, and the changing atmosphere for artists around the world. By Deekshith Pai

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In Goa, Serendipity and the Self
Art, Photography, Creativity The Chakkar 16/01/24 Art, Photography, Creativity The Chakkar 16/01/24

In Goa, Serendipity and the Self

Photo Essay: In a visit to the Serendipity Arts Festival in Panjim, Goa, Deekshith Pai explored the political complexities of contemporary art while rediscovering his own ancestral lands.

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