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The Chakkar - Indian Arts Review
Three Poems on Guwahati and Beyond by Ayaan Halder
Mar 12, 2026
Three Poems on Guwahati and Beyond by Ayaan Halder
Mar 12, 2026
Mar 12, 2026
How to Dance Like Madhuri Dixit
Mar 10, 2026
How to Dance Like Madhuri Dixit
Mar 10, 2026
Mar 10, 2026
Onsra
Mar 6, 2026
Onsra
Mar 6, 2026
Mar 6, 2026
HOMEBOUND, SABAR BONDA, and the Immeasurable Burden of One’s Roots
Film/TV The Chakkar 28/01/26 Film/TV The Chakkar 28/01/26

HOMEBOUND, SABAR BONDA, and the Immeasurable Burden of One’s Roots

Through sensitive character studies and relationships, Homebound and Sabar Bonda pose urgent questions about migration and the life-altering distances between the metro and the village. By Sarthak Parashar

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‘Mrs.’, ‘The Great Indian Kitchen’, and the Women Who Couldn’t Choose to Walk Away
Film/TV The Chakkar 14/05/25 Film/TV The Chakkar 14/05/25

‘Mrs.’, ‘The Great Indian Kitchen’, and the Women Who Couldn’t Choose to Walk Away

Films like Mrs., The Great Indian Kitchen, Thappad, Dor, and more sparked widespread discussion about the value our society assigns to women’s labour and agency. Sarthak Parashar writes about how the impossible choices faced under patriarchal social obligations—in reel and real life.  

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The many dichotomies of ALL WE IMAGINE AS LIGHT
Film/TV The Chakkar 12/01/25 Film/TV The Chakkar 12/01/25

The many dichotomies of ALL WE IMAGINE AS LIGHT

Age and youth, love found and love lost, a city of excess and a city of scarcity—Sarthak Parashar examines the many contrasts balanced by Payal Kapadia in the acclaimed All We Imagine As Light (2024).

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