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The Chakkar - Indian Arts Review
The Sunday Afternoon Rewatch
27 October 2026
The Sunday Afternoon Rewatch
27 October 2026

Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’

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27 October 2026
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
24 October 2026
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
24 October 2026

Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal

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24 October 2026
Judging the Cover: An interview with award-winning book designer Bena Sareen
21 October 2026
Judging the Cover: An interview with award-winning book designer Bena Sareen
21 October 2026

Bena Sareen, winner of the Oxford Bookstore Book Cover Prize, speaks about her latest honour and the “huge responsibility” of designing a memorable literary cover. By Chittajit Mitra

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21 October 2026
Pardesi Pahadi: Avalanche on Apharwat
Sports/Outdoor, Photography, Creativity The Chakkar 28/12/20 Sports/Outdoor, Photography, Creativity The Chakkar 28/12/20

Pardesi Pahadi: Avalanche on Apharwat

‘The avalanche went to ground; in its path all snow had slipped off the mountain, leaving only rocks and ice. For a moment the world was suspended in fear and dread. Chaos followed.’ Zachary Conrad recalls a fateful snowboarding adventure in Gulmarg and the lessons learned at the mercy of snowy, Kashmiri peaks.

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Pardesi Pahadi: Raja’s Hut and the Kashmir of Iron Khan
Sports/Outdoor, Film The Chakkar 22/09/20 Sports/Outdoor, Film The Chakkar 22/09/20

Pardesi Pahadi: Raja’s Hut and the Kashmir of Iron Khan

Gulmarg’s Raja’s Hut was the subject of the 2018 documentary Iron Khan. Citing the film and personal experience, Zachary Conrad recalls the guest-house and its owners, in the foreground of the Himalayas, snowboarding, and insurgency in Kashmir.

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