In the Second RAAT AKELI HAI, the Genre Reaches its Saturation Point
The crimes are bigger and bloodier in Raat Akeli Hai: The Bansal Murders, and the motives even messier; but at its core, the film is a hollow reproduction of its genre predecessors, a familiar formula traced into an inferior product. By Karan Madhok
Khwaab, Nisha Susan, and Mirzapur - What’s The Chakkar?
What’s The Chakkar? Episode 1: We’re listening to Khwaab; watching Mirzapur and Raat Akeli Hai; reading Nisha Susan, Tara Westover, Isabel Wilkerson, and Frank Herbert. Featuring Ady Manral, Kanika Jain, and Prateek Santram. Hosted by Karan Madhok
Short story by Karan Madhok: “Now, Lady, Miss: Please take the flowers and lean into your husband, like this, as if you are falling into him. Just a little. That’s why in English they say, ‘falling’ in love, no? Bas, gir jao unpar!”