In the Second RAAT AKELI HAI, the Genre Reaches its Saturation Point
The crimes are bigger and bloodier in Raat Akeli Hai: The Bansal Murders, and the motives even messier; but at its core, the film is a hollow reproduction of its genre predecessors, a familiar formula traced into an inferior product. By Karan Madhok
Khwaab, Nisha Susan, and Mirzapur - What’s The Chakkar?
What’s The Chakkar? Episode 1: We’re listening to Khwaab; watching Mirzapur and Raat Akeli Hai; reading Nisha Susan, Tara Westover, Isabel Wilkerson, and Frank Herbert. Featuring Ady Manral, Kanika Jain, and Prateek Santram. Hosted by Karan Madhok
Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’