Film/TV The Chakkar Film/TV The Chakkar

How to Cook up a Cartel

Even with its feminist gaze, Dabba Cartel’s biggest win is how it resists baking its narrative with one-note markers of gender and social identity. The result is a batch of hungry women out to hunt—sinking their teeth in this world to devour it to their heart’s content. By Sneha Bengani

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Film/TV The Chakkar Film/TV The Chakkar

‘Bandi’; Or the Words that Redefine a Woman

When a young man calls a woman a ‘bandi’ in Made in Heaven, he casts the burden of decency upon her shoulders. Kavya Maheshwari explores how the intersection of language, power, and gender in contemporary Indian society reinforces patriarchal norms.

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Film/TV The Chakkar Film/TV The Chakkar

The Trap of the Comfort Watch

In times of stress and anxiety, why do many of us choose the familiarity of a ‘comfort watch’—of familiar shows, plotlines, and characters? Raj Darji explores a sense of loss among abundance.

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Film/TV The Chakkar Film/TV The Chakkar

The Man Who Remembers

Jaideep Ahlawat again portrays Hathi Ram Chaudhary in the second season of Paatal Lok, the haggard cop whose memory serves both as a crime-solving device and as moral code to leave no life unforgotten. By Karan Madhok

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Film/TV The Chakkar Film/TV The Chakkar

Chef’s Kiss

Despite an uneven recipe, Abhishek Chaubey’s Killer Soup has enough strong performances and intrigue to make for a palatable—and entertaining—main course. By Karan Madhok

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Film/TV The Chakkar Film/TV The Chakkar

The Great Indian Waste of Potential

Despite its ambitions to be a crime drama at the grandest scale, The Great Indian Murder (2022) falls into a trap of stereotypes and cliches, offering only an amalgamation of old ideas wrapped in a shiny new box. By Karan Madhok

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