“Jai Mata Di, let’s rock.” Himesh Reshammiya’s career has come full circle: from topping the charts, to flops and cringe compilations, and back to dominating global rankings. By Himanshi Aggarwal

With the recent restoration and re-release of Umrao Jaan (1981), Himanshi Aggarwal revisits the film from a queer lens, as Rekha’s titular character serves as an allegory for anyone forced to perform respectability in a world that denies them legitimacy.