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The Chakkar - Indian Arts Review
The Sunday Afternoon Rewatch
27 October 2026
The Sunday Afternoon Rewatch
27 October 2026

Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’

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27 October 2026
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
24 October 2026
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
24 October 2026

Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal

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24 October 2026
Judging the Cover: An interview with award-winning book designer Bena Sareen
21 October 2026
Judging the Cover: An interview with award-winning book designer Bena Sareen
21 October 2026

Bena Sareen, winner of the Oxford Bookstore Book Cover Prize, speaks about her latest honour and the “huge responsibility” of designing a memorable literary cover. By Chittajit Mitra

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21 October 2026
Days Are Whirlpools: Three Poems by K.S. Subramanian
Creativity The Chakkar 22/05/24 Creativity The Chakkar 22/05/24

Days Are Whirlpools: Three Poems by K.S. Subramanian

Poetry by K.S. Subramanian: ‘Let me not do a U-turn of my neck / to see the past, skill sets that / lost their spell in time, high hopes / Slithering down a slippery slope’

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Heroes and “Heroes”: AK VS AK and the blossoming of Meta-Cinema in Bollywood
Film/TV The Chakkar 24/02/21 Film/TV The Chakkar 24/02/21

Heroes and “Heroes”: AK VS AK and the blossoming of Meta-Cinema in Bollywood

Vikramaditya Motwane’s AK vs AK asks more questions about reel and real than any other film in recent memory. How much of real life inspires cinema? How far can cinema piggyback on what’s happening in the outside world? By Urmi Bhattacheryya

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