0
Skip to Content
The Chakkar
Home
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
The Chakkar
Home
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
Home
Folder: Categories
Back
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
The Chakkar - Indian Arts Review
A Call for a Postcolonial Education Revolution
Feb 10, 2026
A Call for a Postcolonial Education Revolution
Feb 10, 2026
Feb 10, 2026
In the Second RAAT AKELI HAI, the Genre Reaches its Saturation Point
Feb 6, 2026
In the Second RAAT AKELI HAI, the Genre Reaches its Saturation Point
Feb 6, 2026
Feb 6, 2026
Red Streaks on the Silver Screen
Feb 3, 2026
Red Streaks on the Silver Screen
Feb 3, 2026
Feb 3, 2026
‘Mrs.’, ‘The Great Indian Kitchen’, and the Women Who Couldn’t Choose to Walk Away
Film/TV The Chakkar 14/05/25 Film/TV The Chakkar 14/05/25

‘Mrs.’, ‘The Great Indian Kitchen’, and the Women Who Couldn’t Choose to Walk Away

Films like Mrs., The Great Indian Kitchen, Thappad, Dor, and more sparked widespread discussion about the value our society assigns to women’s labour and agency. Sarthak Parashar writes about how the impossible choices faced under patriarchal social obligations—in reel and real life.  

Read More
More Articles
All images, unless stated otherwise, © The Chakkar