Singer-songwriter Ady Manral introduces his music documentary from Landour, a visual EP rinsed with the lush sights and sounds of monsoon in the Himalayan foothills.
With brutal carnage presented with celebratory beats, Dhurandhar: The Revenge pushes viewers towards a stony insensitivity, creating a sense of heightened tempo and exhilaration without moral recoil. By Abin Chakraborty
Held in Mumbai, the exhibition Woman is as Woman Does presented moving homages to feminist artivism and archives of alternate ‘doings’, across the years since India’s Independence. By Anna Lynn
At the Student Protests in Jantar Mantar, Dikshit Sharma turns his lens to the moments of collective solidarity—the trash collectors, the food delivery workers, the volunteers, the living community—to reveal the architecture which quietly carries history forward.