In the Second RAAT AKELI HAI, the Genre Reaches its Saturation Point
The crimes are bigger and bloodier in Raat Akeli Hai: The Bansal Murders, and the motives even messier; but at its core, the film is a hollow reproduction of its genre predecessors, a familiar formula traced into an inferior product. By Karan Madhok
Good Cop / Good Cop
Delhi Crime is a breath of fresh air in its realistic portrayal of police investigation and the heroism of intelligent, emphatic cops. But the crime drama leaves a stunning blind spot about the brutalities, corruption, and systematic failures of the Delhi Police itself. By Karan Madhok
‘To exist fully as an artist and human, one must be seen, heard, read, and acknowledged’: Farah Ahamed explores Satyajit Ray’s Charulata through the lens of Simone de Beauvoir.