![Welcome to… The 2nd Landour Literature and Arts Festival [LLAF]](https://images.squarespace-cdn.com/content/v1/5d7fa27ac591f01062106a9f/1788439157377-RERG0W36805OFV0LH1QC/Main+Poster.png)
Rainbows on the Silver Screen
From Ek Ladki Ko Dekha Toh Aisa Lagaa, Badhai Do, Shubh Mangal Zyada Saavdhan, and more, a fresh lease of life seems to have been granted to a responsible on-screen LGBTQIA+ representation in the glitzy-verse of commercial Bollywood over the past decade. By Nivedita Dey
Bringing Back the Popcorn: Is the future of Indian Films in OTT or the Theatre?
The OTT vs. theatre competition isn’t a challenge, but a delightful opportunity, writes Sanchit Gupta. We can have the best of both worlds: both the mediums need equal space to grow where different films with different objectives can find their home.
In the driver’s seat: A toast to the Everyday Woman in Gulabo Sitabo
Gulabo Sitabo is the latest release from the oeuvre of writer-director duo Shoojit Sircar and Juhi Chaturvedi, featuring strong, everyday women who are often underrepresented in the vast Hindi cinema ecosystem - by Harshita Murarka.
What’s in a name? India has a long history of rebranding cities, streets, and buildings to reflect the political influence of the time. Instead of this empty tokenism, Vipin Labroo argues for the country to shift priorities towards its more pressing concerns.