0
Skip to Content
The Chakkar
Home
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
The Chakkar
Home
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
Home
Folder: Categories
Back
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
The Chakkar - Indian Arts Review
Surrealistic Icarus: Gopal Lahiri’s SELECTED POEMS
Apr 25, 2026
Surrealistic Icarus: Gopal Lahiri’s SELECTED POEMS
Apr 25, 2026
Apr 25, 2026
Photo-Essay: The Frequencies of History
Apr 22, 2026
Photo-Essay: The Frequencies of History
Apr 22, 2026
Apr 22, 2026
The Sacred and the Starved
Apr 19, 2026
The Sacred and the Starved
Apr 19, 2026
Apr 19, 2026
‘Mrs.’, ‘The Great Indian Kitchen’, and the Women Who Couldn’t Choose to Walk Away
Film/TV The Chakkar 14/05/25 Film/TV The Chakkar 14/05/25

‘Mrs.’, ‘The Great Indian Kitchen’, and the Women Who Couldn’t Choose to Walk Away

Films like Mrs., The Great Indian Kitchen, Thappad, Dor, and more sparked widespread discussion about the value our society assigns to women’s labour and agency. Sarthak Parashar writes about how the impossible choices faced under patriarchal social obligations—in reel and real life.  

Read More
Her Favourite Colour: How a ‘small’ incident in THAPPAD reveals the complex roots of Indian marriage and patriarchy
Film/TV The Chakkar 16/03/20 Film/TV The Chakkar 16/03/20

Her Favourite Colour: How a ‘small’ incident in THAPPAD reveals the complex roots of Indian marriage and patriarchy

Anubhav Sinha’s Thappad (2020) raises questions on our conditioning and deeply-ingrained patriarchy, reminding us that abuse in a relationship comes in all forms—physical, emotional, blind to class or caste. Review by Nidhi Choksi Dhakan.

Read More
More Articles
More Articles
All images, unless stated otherwise, © The Chakkar