Published in India’s 75th year of Independence, Converse: Contemporary English Poetry by Indians (2022) presents unique and diverse voices from the diaspora, with poems that are a sustained discussion with history, oneself, the environment, myth, science, and relationships. By Dustin Pickering

In The Solitude of a Shadow, Devibharathi presents a complex picture of a vengeance-seeking narrator fractured by trauma, caste, and identity crisis. By Sneha Pathak

Amitava Kumar’s The Yellow Book: A Traveller's Diary (2023), conceptualizes the journal itself as an art object, where the act of journaling becomes a form of artistic practice. By Pranavi Sharma

Kiriti Sengupta’s Oneness (2024) is a condensed capsule of poetry, one that weaves multiple strains of being into an organic unity. With his vivid and sonic juxtapositions, the compositions in the new collection both obfuscate and enlighten the reader. By Ajanta Paul

In the run-up to the 2024 elections, the films that hit the big screens, the books showcased on the windowfronts, and the music crawling into our ears, has mostly sung the songs of propaganda. It’s art without dissent; art that rages for the machine. By Karan Madhok

Does the reader choose their book? Or the book its reader? Satyarth Pandita explores this grand moment of literary connection and resonance.

Chronicle of An Hour and a Half (2024) establishes Saharu Nusaiba Kannanari as a writer fierce and loyal to his craft, as he invites the readers to reflect on the spectacle of violence in our technologically-powered society. By Akankshya Abismruta

Debut novelist Atharva Pandit discusses why he chose to render the true-crime story as fiction in Hurda, the polyphonic nature of the narrative, and his uninhibited portrayal of the investigation and the actors involved in the case. By Saurabh Sharma

In a wide-ranging conversation with, acclaimed poet and dancer Tishani Doshi spoke to Ronald Tuhin D’Rozario about her literary work, the fundamentals of ‘Vilambit’ in her writing, and artistic journeys through space and time.

In Abhishek Anicca’s memoir The Grammar of my Body (2023), the protagonist is a disabled body, charting its terrain through the unforgiving, able-bodied world. By Priyanka Chakrabarty

Marnina (Avirup) spoke to representatives from Queer organizations at the 2024 Kolkata Book Fair about the experience of hosting their stalls, seeking diversity in Indian publishing, and much more.

In The Grammar of My Body, Abhishek Anicca shared his journey of discovering his disability and chronic illness. In an interview, Anicca spoke about disability in the face of capitalism, politics, and literature in an ableist society. By Akankshya Abismruta