Film/TV The Chakkar Film/TV The Chakkar

A city translated through the languages of love

Modern Love (Mumbai)’s greatest realization lies in the offering of the city’s palette: an architectural marvel in the Sea Link, an underlying bedrock in Thane, a warm enclosure in cutting chai. The city is steeped in the love its characters exude towards themselves and others. By Raunaq Saraswat

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Film/TV The Chakkar Film/TV The Chakkar

The Great Indian Waste of Potential

Despite its ambitions to be a crime drama at the grandest scale, The Great Indian Murder (2022) falls into a trap of stereotypes and cliches, offering only an amalgamation of old ideas wrapped in a shiny new box. By Karan Madhok

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Film/TV The Chakkar Film/TV The Chakkar

A BUNTY AUR BABLI for the Millennials

The sixteen-year wait between Bunty Aur Babli and its sequel projects the face of a new, millennial Indian generation and their aspirations—even for the latest brand of the film’s con-artists. By Toonika Guha

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Film/TV The Chakkar Film/TV The Chakkar

THE DISCIPLE and Labours of Being Alive

Through a tight focus in the sphere of the Indian classical music subculture, Chaitanya Tamhane’s 2020 film The Disciple asks larger questions about the relentless pursuit of art and excellence in the face of existential crisis. By Karan Madhok

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