Film/TV The Chakkar Film/TV The Chakkar

A BUNTY AUR BABLI for the Millennials

The sixteen-year wait between Bunty Aur Babli and its sequel projects the face of a new, millennial Indian generation and their aspirations—even for the latest brand of the film’s con-artists. By Toonika Guha

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Film/TV The Chakkar Film/TV The Chakkar

THE DISCIPLE and Labours of Being Alive

Through a tight focus in the sphere of the Indian classical music subculture, Chaitanya Tamhane’s 2020 film The Disciple asks larger questions about the relentless pursuit of art and excellence in the face of existential crisis. By Karan Madhok

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Film/TV The Chakkar Film/TV The Chakkar

A roaring commentary on Indian Wildlife

In Amit Masurkar’s man-versus-wild thriller Sherni (2021), a disturbed tigress is on the loose, spreading alarm and fear. But, with critiques of industrialisation, politics, and greed, the film is instead a mirror reflecting the wilder side of humanity itself. By Nidhi Choksi Dhakan.

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Film/TV The Chakkar Film/TV The Chakkar

Life and Love through the Prism of Death

In the foreground of young death, the Sanya Malhotra starrer Pagglait (2021) presents a woman unwilling to become the meek, submissive picture of a suffering widow, instead finding an unusual ally to help her navigate inner conflict and chaos. By Harshita Murarka

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