Music as Still Life: Sameer Rahat’s poetic solo debut Aamad
Urdu singer-songwriter Sameer Rahat’s debut solo album AAMAD is quiet as the eye of a hurricane, rich in poetic depth and deeply-personal energy. A track-by-track review by The Blue Magpie
Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased?
Short story by Debi Mukherjee: “Unlike the little girls I see outside temples, draped in their pano bhaju’s stringing garlands of Marigolds, I dare not play with the flowers in our garden. Papa cautions me against the rows of Mogras, Shoe-flowers, Frangipanis and a multitude of others. He says that I must not be lured by a flower’s fragrance.”
Urdu singer-songwriter Sameer Rahat’s debut solo album AAMAD is quiet as the eye of a hurricane, rich in poetic depth and deeply-personal energy. A track-by-track review by The Blue Magpie
Set against the landslide-prone terrain of Kinnaur, plagued by environmental collapse and infrastructural neglect, the short film Tenfa (2026) provides a vision of hope through memory, ecology, and community. By Sohini Sengupta