In Ramnagar, the Folk Theatre of the Ramlila Continues its Centuries-Old Traditions
Photo Essay: Over 250 years since its inception, the Ramlila of Ramnagar—a ‘play’ dramatizing Rama’s story from the Ramcharitmanas—still exists as a faint time capsule of the past. by Karan Madhok
A Souvenir from The Taj
Personal Essay by Sreelekha Chatterjee: The monkey’s mouth parted and tufts of brown hair bristled wildly on top of its head. Had it come to finish the job, I wondered?
Comings and Goings: On the beauty of Amitabha Bagchi’s HALF THE NIGHT IS GONE
Sakshi Nadkarni on Amitabha Bagchi’s Half the Night is Gone (2018), a tale of stories withing stories, both dense and sparse, a glimpse across many Delhis, a meditation on sorrow, fatherhood, self-reflection, and literature itself.
A Hanumanic Leap: Why we must let India's mythological epics evolve beyond religion
With the Ramayan and Mahabharat back on TV, Karan Madhok writes about the importance of celebrating the complex fictions of the myths, rather than accepting them as gospel truth.
The problematic representation of women in many recent Telugu blockbusters like Peddi and the Pushpa films have stoked controversy. When mainstream commercial cinema consistently turns the sexualisation of women into entertainment, who should be responsible for the world these images help create? By Sumithra Prasanna