Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased? 

Saurabh Sharma explores the rising wave of propaganda anti-Muslim music on Indian airwaves, songs filled with jingoism, religious bigotry, and xenophobia masquerading as art.

Vivek Agnihotri’s controversial film The Kashmir Files is more drama than documentary, an awkward retelling of recent history that propagates more than it educates. By Dhani Muniz