Jazz with an Indian Soul
Harish Raghavan’s work is the first full-band application of Indian classical concepts in jazz that sound and feel natural. Dhani Muniz explores the band’s music and deconstructs Indian flavours in jazz.
Short story by Karan Madhok: “Now, Lady, Miss: Please take the flowers and lean into your husband, like this, as if you are falling into him. Just a little. That’s why in English they say, ‘falling’ in love, no? Bas, gir jao unpar!”
What’s in a name? India has a long history of rebranding cities, streets, and buildings to reflect the political influence of the time. Instead of this empty tokenism, Vipin Labroo argues for the country to shift priorities towards its more pressing concerns.
Harish Raghavan’s work is the first full-band application of Indian classical concepts in jazz that sound and feel natural. Dhani Muniz explores the band’s music and deconstructs Indian flavours in jazz.
Creative Nonfiction by Shobhita Rewal: ‘Rotund Japanese purple enlarged. A plushie abandoned. Soot-stained lips float past. Saliva upon the metal in the skin. Chivalry ain’t dead yet, innit? Plebians need the masala but give this to me anyway.’