A BUNTY AUR BABLI for the Millennials
The sixteen-year wait between Bunty Aur Babli and its sequel projects the face of a new, millennial Indian generation and their aspirations—even for the latest brand of the film’s con-artists. By Toonika Guha
‘To exist fully as an artist and human, one must be seen, heard, read, and acknowledged’: Farah Ahamed explores Satyajit Ray’s Charulata through the lens of Simone de Beauvoir.
Creative Nonfiction by Shobhita Rewal: ‘Rotund Japanese purple enlarged. A plushie abandoned. Soot-stained lips float past. Saliva upon the metal in the skin. Chivalry ain’t dead yet, innit? Plebians need the masala but give this to me anyway.’
The sixteen-year wait between Bunty Aur Babli and its sequel projects the face of a new, millennial Indian generation and their aspirations—even for the latest brand of the film’s con-artists. By Toonika Guha
Poems by Aardhra Chandran: ‘Concrete trucks rumble past his fence, shaking the loose teeth / in his jaw, spitting black diesel smoke onto his holy basil plant. // He measures his life not in years, but in missing trees—/The neem chopped for wood, the mango that died of thirst.’